You know, we listen to The Police all the time. But really the only improvisation on the album is little solo sections, like the end of BOWLING, or the section where we trade on NOT TiGHT, or the second half of WHAT UP. I think a lot of the stuff we write is just a little insane, so people think it's improvised. So you’ll sit in front of the computer and use Logic as a canvas to get down your ideas?
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That’s how we still write today - we pull it straight from our heads, and then we have to learn how to play it.”ĭOMi: “Sometimes it's really tricky because you put too many notes in a chord, and you’re like, oh, fuck, I only have 10 fingers!” JD: “That’s how we wrote pretty much everything on the album. “For example, NOT TiGHT, the first song we’d ever written, it was us on the computer, and we’d sing to each other top notes and chords, and then we would click them into the software, into Logic.” Sometimes it's really tricky because you put too many notes in a chord, and you’re like, oh, fuck, I only have 10 fingers! You enter your own loophole of how you already sound and it’s harder to explore different things. So you're going to write what you usually play already. Because when you play, your brain is using your muscle memory. Are the songs coming out of improvisation and jam sessions? Or do you take a more structured approach?ĭOMi: “Actually, we never write by playing. We’re curious to find out more about your writing process. We had the same vision with what we wanted to do musically, and when we played it was so easy.
I think we just felt something, and hopefully it’s right!”ĭOMi: “We didn't even really think, it was so natural. Because we came from two completely different sides of music, at least when we first started. The way we wanted things to come out, and the way we talked about music and the way we heard things. What was it that drew you to each other’s playing? Did you hear a similar approach or style? So we drove to LA and we went to play, and we were like, holy shit. "We’d just met and then we decided to go to a real jam session. I was on a little shitty 49-key keyboard, it was terrible, so we were laughing the whole time. We've never worn in-ears before! We had the most terrible setup. We have a mutual friend that asked us to play in a little booth for in-ears. What’s the story there?ĭOMi: “Yeah, we did. But I grew up on that, just playing jazz and classical.” And then they had this really terrible electronic keyboard from like, 1999 or something. When I was two, my dad built a drum set, made out of pans and pots, all that stuff. They would listen to some stuff, pretty basic stuff, but I was born into that. Taking it right back to the start, how did you guys get into playing music originally?ĭOMi: “We don't come from musical families at all, but my parents loved jazz records.
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